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rock of ages, cleft for me

7). naked, come to thee for dress; 971–972. In the Wesley printing, the relevant material is in section 2, number 9: O Rock of Israel, Rock of salvation, Rock struck and cleft for me, let those two streams of blood and water which once gushed out of thy side, bring down pardon and holiness into my soul. God saves fallen human beings by resolving the problem of sins and by dealing with our sin. Duncan Campbell, “Augustus Montague Toplady,” Hymns and Hymn Makers (London: A.C. Black, 1898), pp. In the October number of the Gospel Magazine, 1775, in an article on "Life a Journey," and signed Minimus (one of Toplady's signatures), the following occurs at p. 474:—. Nashville, TN 37212 #275, United Praise: for use in Sunday Schools, Young People's Societies and other Church Services #167. "Yet, if you fall, be humbled; but do not despair. From 1776 to 1810 this hymn is found in a very limited number of hymn-books. Simply to thy Cross I cling; We can preach the gospel to others by singing hymns, such as Hymns, #1058. 4. I translated this hymn into Chinese, and Brother Nee polished it and made some improvements, including my translation of the line "Be of sin the double cure." Ms. He then went on to say that Christ's redeeming work “will not only counter-balance, but infinitely over-balance, all the sins of the whole believing world” and concluded the article with the four stanzas of this hymn, which he titled “A living and dying Prayer for the holiest Believer in the World.”. It is through the water and the blood which flowed from the Lord's riven side. In the Dictionary of Hymnology, John Julian cites the 1775 article “Life a Journey,” in which Toplady first published the first stanza of “Rock of Ages.” The following paragraph preceded the first stanza of the hymn: “Yes, if you fall, be humbled, but do not despair. That is to say that in ten years, there were more than three hundred million sins. Are parts of this score outside of your desired range? "Merit I have none to bring, (4.) Ad revenue helps keep us running. (1.) 5. Since then in most new hymn-books Toplady's authorised text from his Psalms & Hymns, 1776, has been adopted. 1.2 from "Simply to Thy Cross, &c." to "Simple to Thy Cross, &c," first appeared in Walter Row's edition of Toplady's Psalms & Hymns, 1787. In His redemption Christ can give us a double cure—He washes away our filthiness and He keeps away our death. No other English hymn can be named which has laid so broad and firm a grasp upon the English speaking world.[3]. The last question asks, “What return can believers render, to the glorious and gracious Trinity, for mercy and plenteous redemption like this?” The answer: We can only admire and bless the FATHER, for electing us in Christ, and for laying on Him the iniquities of us all; the SON, for taking our nature and our debts upon himself, and for that complete righteousness and sacrifice, whereby he redeemed his mystic Israel from all their sins; and the co-equal SPIRIT, for causing us (in conversion) to feel our need of Christ, for inspiring us with faith to embrace him, for visiting us with his sweet consolations by shedding abroad his love in our hearts, for sealing us to the day of Christ, and for making us to walk in the path of his commandments. Be of sin the double cure;Save from wrath, and make me pure. 2. When I rise to worlds unknown,And behold Thee on Thy throne, The Text. Many husbands do not want to lose their temper with their wife. ", https://www.hymnal.net/Hymns/Hymnal/svg/e1058_p.svg, https://www.hymnal.net/Hymns/Hymnal/svg/e1058_g.svg, CWWL, 1984, vol. A Collection of Hymns for the Use of the People Called Methodists, with Supplement (London: John Mason, 1830). As hymn scholar Samuel J. Rogal described it, “Cotterill plunged his editorial lancet deep into the bowels of Toplady’s original hymn and, generally, reconstructed the entire piece.”[1] Among the changes were the removal of six lines to form a different construction of stanza two, while trading “riven” for “wounded,” “respite” for “langour,” and “eye-strings break” for “eyelids close” (“eye-strings” coming from an old belief that the tendons in a person’s eyelids broke upon death). John Julian, in his Dictionary of Hymnology (1907), p. 971, credited Roundell Palmer (1812–1895) with a movement to restore Toplady’s text, citing a “vigorous protest at the Church Congress at York in 1866.” Palmer had used Toplady’s unaltered text from The Gospel Magazine in his Book of Praise (London: MacMillan & Co., 1862), No. “Rock of ages! 145–156. An alternate tune is REDHEAD 76, written by Richard Redhead for “Rock of Ages,” and published with this text in 1853 in Church Hymn Tunes, Ancient and Modern. St. iii. Many of these tunes had appeared the previous year in a series of four booklets (simply Spiritual Songs); only the first and the fourth are known to survive in modern libraries. Rock of Ages, cleft for me , p. 970, i. This reads (the italics indicate the alterations made by Cotterill):—, 1. When my eye-strings break in death, Other changes in the text of the hymn might be indicated; but being of minor importance nothing will be gained by their enu¬meration. Can fulfill thy Law's demands: The hymn "Rock of Ages, Cleft for Me" (Hymns, #1058) is a good Christian song. 2, "Could my zeal," &c. (Toplady)\ 1. The preface to the collection included an excerpt from Daniel Brevint (1616–1695), The Christian Sacrament and Sacrifice (Oxford: At the Theatre, 1673). Then comes the hymn, “A living and dying prayer for the holiest believer in the world,” in four stanzas of six lines. But a few days ago, I replaced the songs with Rock of ages, and Hark the voice of Jesus calling..., It has really been very blessful. Stanza two focuses on the idea that we can never repay him for that sacrifice. 219–220. Toplady was Curate at Blagdon from April 1762 to April 1764. from thy wounded side which flowed, This is one, however, of numerous instances of more than ordinary importance, where it has been a stay and comfort in days of peril, and in the hour of death. . (8.) Toplady was a staunch Calvinist and notorious for his dislike of and feuds with John Wesley. Therefore, he wrote that glorious hymn which caused millions of people, who were tired and oppressed by sin, to find rest—"Rock of Ages, cleft for me, / Let me hide myself in Thee"! 5). The word “cleft” as a noun means a split or opening made by cleavage. The tune can be interpreted as having either an ABA or ABCCAB structure, with some portions of the melody utilizing chordal intervals and others moving mostly stepwise. Only the blood and water can be the double cure for our sin. Redemption delivers us from our sinful deeds, and salvation delivers us from our sinful nature. He is my shield and the horn of my salvation, my stronghold.” In 1836 another version was given by W. J. The notion of blood having cleansing power can be seen Revelation 7:14 (“They have washed their robes and made them white in the blood of the Lamb,” ESV). From another source we were informed that the tradition concerning its composition in Blagdon during Toplady's residence there from 1762 to 1764, and during a thunderstorm, was old and widespread. 5. This very godly person, when he counted his sins, considered that every second he committed at least one sin. (5.) Reformation Sunday, Year A - Lectionary Planning Notes, There Is Now 104–118. If this score will be projected or included in a bulletin, usage must be reported to a licensing agent (e.g. let me hide myself in thee. The most important rearrangement of the text, and that which has gained as great if not a greater hold upon the public mind than the original, is that made by T. Cotterill, and included in his Selection of Psalms & Hymns , 1815. let me hide myself in thee; These changes include:— The doctrinal basis of having nothing to offer to purchase salvation comes from passages such as Ephesians 2:8–9. Fasham, “Rock of Ages,” HSGBI, Bulletin, vol. In the 8th ed. could my tears forever flow, Edward Darling & Donald Davison, “Rock of ages, cleft for me,” Companion to Church Hymnal (Dublin: Columba Press, 2005), pp. Fig. (6.) Christ’s blood from his death as the forgiveness for our sins is the theme in stanza one. Of these we must take the latter as that which he regarded as authorised, and indicate subsequent changes by that standard alone. Romans 5:10 speaks of the two aspects of God's deliverance from sin: "If we, being enemies, were reconciled to God through the death of His Son, much more we will be saved in His life, having been reconciled." Let me hide myself in Thee: No other English hymn can be named which has laid so broad and firm a grasp upon the English-speaking world. . Cotterill's, 1815, with 1. Rock of Ages, cleft for me, let me hide myself in thee; let the water and the blood, from thy wounded side which flowed, be of sin the double cure; save from wrath and make me pure. This version of the text incorporates the alterations from Cotterill’s Selection (1814, see Fig. John Rippon, A Selection of Hymns from the Best Authors (London: Thomas Wilkins, 1787). The full hymn appeared in the same magazine in March 1776 following a pair of related articles. of Rowland Hill's Collection of Psalms & Hymns, No. The preceding article, formatted in question-and-answer format and signed “J.F.,” dealing with the British national debt, posed the question, “When will the government be able to pay the principal?” A: “When there is more money in England’s treasury alone than there is at present in all Europe.” Q: “And when will that be?” A: “Never.”. 2-3), and it chooses a different set of lines to form the second stanza. Written for this text, it was first published in Spiritual Songs for Social Worship, edited by Hastings and Lowell Mason, in 1832. 1 Rock of Ages, cleft for me, let me hide myself in thee; let the water and the blood, from thy wounded side which flowed, be of sin the double cure; save from wrath and make me pure. Samuel J. Rogal, An Analysis of Various Versions of A.M. Toplady’s ‘Rock of ages, cleft for me’ (1774-2001) (Lewiston: Edwin Mellen Press, 2003), p. 12. By Silas T. Rand, in Burrage's Baptist Hymn Writers, 1889. Simply to Thy cross I cling. Burden is a church music student of Dr. Michael Hawn’s at Perkins School of Theology. wash me, Savior, or I die. When I soar to worlds unknown, "Should my tears for ever flow,Should my zeal no languor know, St. ii. Not the labor of my hands. He wrote: Oh, is there one as pitiable as I in this world! An a capella setting of the third stanza (“Nothing in my hand I bring”) is found in “Five Choral Stanzas, Set 2” which may be used as an interlude during congregational singing of this hymn. Rock of Ages, cleft for me, could my tears forever flow, #643b, Complete Anglican Hymns Old and New #584a, Complete Anglican Hymns Old and New #584b, Hymns Ancient and Modern, New Standard Edition #135, Soul-stirring Songs & Hymns (Rev. In the United States, the most common tune setting for “Rock of ages” is TOPLADY by Thomas Hastings (1784–1872), first printed in Spiritual Songs for Social Worship (Utica: Hastings & Tracy & W. Williams, 1832 | Fig. Selecti Hymni Psalmique . 4, no. save from wrath and make me pure. The blood redeems us outwardly, and the life saves us inwardly.

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