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triggerman beat

« Hello world!Hello world! After seeing the record’s impact in Memphis, the Showboys decided to take a road trip through the deep south and see where else Triggerman might be ringing off for themselves. “Then, we got to when we sort of had a pattern laid down and we were fucking around with the keyboard, that’s when we came up with the [xylophone sound] and Brian Perkins started doing that over the top.”. “It’s a television show with a commercial break in the middle.”, For Hall and Price, picking the Wendy’s catchphrase was a no-brainer, but the call to incorporate the whistle came from a famous friend. “We ended up doing about 24 shows in 10 days. and Lil Wayne used it for ‘Ball,’ which was a huge record, and our split on that should have been at least 50 [percent] and they hit us with, ‘Oh, that money’s recoup.’ 30 years [later] and they pull out a recoup card.”. They recorded several singles for Profile Records in the mid-80's, including a song called Drag Rap (Triggerman) in which a twisted tale of revenge-seeking gangsters unfolded over a richly syncopated beat. Instead of responding to the subject matter, however, in the Big Easy the fans responded to the beat. They recorded several singles for Profile Records in the mid-80's, including a song called Drag Rap (Triggerman) in which a twisted tale of revenge-seeking gangsters unfolded over a richly syncopated beat. Built like a procedural TV show – the intro promises that “MCs’ names have been changed to protect the innocent” – and clocking in at over six minutes, “Drag Rap” weaves the tale of a heated turf war between two ruthless Queens gangsters, “Bugs” Can Can and Phil D, AKA “Triggerman.” In a unique twist, the song forgoes a hook in favor of a commercial break that drew upon two of the hottest ads at the time – Wendy’s iconic “Where’s the beef?” campaign and a whistle used to sell Irish Spring soap. Everybody knows about it, but we just donâ t know. Hall remembers, “The waitress said to us, ‘What are y’all doing down here?’ ‘Oh, we came to do a show.’ ‘Who are y’all?’ ‘Showboys.’”, “She said, ‘What?’ and she wailed off from the table. “We made the record in ’86 [for a] $2,500 advance and keep the rest,” says Hall. It took nearly three years after its original release before the Showboys finally got wind of “Drag Rap”’s reach. The promoters flew the guys down to Memphis for the weekend, but even still, they weren’t quite aware just how big the record was until they got off the plane. “After we got all of the sound in, he went back and played [the bones] live by hand for six minutes with no mistakes. The result was “A Triggerman Weekend” at Memphis nightclub Studio G. Despite being out of the game for years, Hall and Price quickly got their show together. In her book God Save the Queen Diva!, Big Freedia puts it even more directly: “If it has the Triggerman beat, it’s Bounce!”. Me and Trig was like, ‘What the fuck is going on?’, “We decided, ‘Fuck it, let’s just go find the radio station,’” Hall continues. “He told us, ‘Yo, some promoter called y’all for a show.’”, “No, he said, ‘A promoter called for a show, but he said he’s looking for the guys that made ‘Triggerman,’” says Hall. There are records that changed the course of hip-hop history – Blondie’s “Rapture,” Run-D.M.C.’s “Walk This Way,” N.W.A.’s “Straight Outta Compton” and Geto Boy’s “Mind Playing Tricks On Me” are just a few that come to mind of many, many more. And while both Memphis and New Orleans can rightfully lay claim to the record, current consensus credits Memphis DJ Spanish Fly for breaking the song in the deep south. How many people have really sampled Triggerman?
In New Orleans, the song took a separate, parallel path. That was the very first time we heard that 808 rocking like that, but we were smart enough to know, ‘Shit, that sounds incredible.’”, As it turns out, it was the rhythm of the bones that was throwing everything off. “The 808 we used for the rest of the percussion.”, “We put the bass drum down, then the snare, the cowbell, the hi-hat,” says Hall. Nothing from the label, nothing from the shows. According to WhoSampled, “Drag Rap” has been used in over 160 songs through the years. “When we finished it, we brought it to Jam Master Jay,” Hall continues. “He would come back to Hollis and [say], ‘Yo, we was in New Orleans,’ or, ‘We were somewhere down south [and] they played y’all record and motherfuckers were going crazy.’” But it wasn’t until an unexpected call came in to Hall’s brother’s barbershop sometime around 1989-1990 that the song’s real impact began to sink in. As Hall puts it, the Showboys went “back to our old ways, wilding out in Hollis, smoking and drinking 40s and doing everything everybody else did in the neighborhood.” Meanwhile, down South “Drag Rap” had taken on a life of its own under a new name: Triggerman. All of a sudden, it crashed.”. Really?’”. First they went to Memphis, then to Houston, and then they rolled into New Orleans. "[4], "Review: Young Thug & Chris Brown's 'Slime & B' Blesses Ladies With A Golden Summer Soundtrack", "Big Freedia is rumored to appear in Drake's "In My Feelings" video", https://en.wikipedia.org/w/index.php?title=Triggerman_(beat)&oldid=969902434, Creative Commons Attribution-ShareAlike License, This page was last edited on 28 July 2020, at 01:52. One of the things that keeps me up at night is we don’t know how much Triggerman sold. It means more to me now. “Mr. It wasn’t long before Triggerman became synonymous with the budding Memphis sound, a legacy that’s still alive and well today, from the unflinchingly hard edge and often overlooked storytelling abilities of the scene’s most famous MCs (8Ball & MJG, Project Pat, Yo Gotti and, more recently, Young Dolph) to the consistently dark undertone churning through its beats. “He used to show us the back of magazines [from around the world], saying, ‘Look, y’all, I’m number two over here in London. Add lyrics on Musixmatch, Javascript is required to view shouts on this page. We don‘t have an album for this track yet. Creative Commons Attribution-ShareAlike License. The business side of one of the most influential records in Southern rap history tells another story entirely. Both crunk and trap music can trace roots back to the Memphis sound, making Triggerman the seed to both. “As soon as we touched down in downtown, we just started asking around: ‘Yo, where’s the radio station?” We ended up going straight to the radio station and walking in and saying, ‘Hi, we’re the Showboys, Bugs and Triggerman.’ [Wild Wayne] lost his mind and put us right on air.”. We were doing the school during the day, doing the prom at night, then doing the club.”. “I’d pick up almost anything on Profile or Jive and at least listen to [it],” Fly told Phil Hebblethwaite’s The Stool Pigeon blog in 2012. “[But] how many records did Triggerman really sell? The song is a classic story rap that lifts both its sonic and structural cues directly from Dragnet. Despite bricking out in New York, the song took root in the South as a quintessential hip-hop break, as vital as any soul record tucked away in Kanye’s or DJ Premier’s or RZA’s or whoever’s crates. “[Hall’s brother] calls Or and he said to him, ‘Yo, I’ve got a surprise for you,’” says Price. Let us know what you think of the Last.fm website. “When we got to the studio, they had an 808. “When it got to the part where the 808 came in, I was like, ‘Wowwwww!’”. But as you get older, accomplishments mean something. Both crunk and trap music can trace roots back to the Memphis sound, making Triggerman the seed to both. “The LinnDrum was the machine that stored everything,” says Price, “[But] the LinnDrum could only hold so much data… and it was too much of a file for the LinnDrum to hold.”, “All the music had to load into the LinnDrum, then you continue to add your sounds,” says Hall. That’s why to this day, when you hear a lot of people loop that, it doesn’t loop right because there’s a human feel to it.”, That human feel felt right from jump. It starts in the front seat of a Jeep parked on a side street in the heart of a notorious hip-hop hotbed: Hollis, Queens. As Price puts it, “That record’s about 34 fucking tracks.” But the signature xylophone flourish that initially caught Spanish Fly’s ear came about as a fluke. In “Drag Rap,” Fly liked what he heard. There was only one problem: the 34-track beat they’d built kept crashing the LinnDrum. (Dragnet was a classic detective show from the 1950s – and later a movie starring Dan Aykroyd and Tom Hanks – with a distinctive theme song.) triggerman beat The Showboys recorded the demo with their personal engineer, former Parliament keyboardist Brian Perkins, who they called “Killer B.” Profile loved it and gave the guys $2,500 to lay it down in Manhattan’s Greene Street Recording studios. â Triggerman originally was going to be hard kick and 808 all the way through,â says Hall. Trigger Man, a third-person shooter video game; Triggerman, a 1948 Western; Trigger Man, a 2007 film thriller; Allan Caidic, basketball player, nicknamed The Triggerman; Triggerman beat, a specific collections of samples and beats, which forms the foundation of the bounce style of hip hop From the hard kick that drives it forward and the syncopated 808 pattern that carries the verses, to the snare roll after the commercial break and all of its various vocal accents (“Yes!,” “Alright!”), Triggerman is a sprawling grab bag of interesting sounds that gives producers plenty to work with. The song became incredibly popular in Memphis and New Orleans in the early 1990's, and along with Paul Cameron's Brown's Beat has become one of the cornerstones of Bounce production. Even just for our legacy, I think that would be something phenomenal to just fucking know.”. “T.I. Start the wiki. Me and Phil had known about the 808, but we hadn’t worked with one yet, [so] when we got there we said, ‘Yo, we want to work with this 808.’”, “The hard kick was from the [Oberheim] DMX,” remembers Price. The guys jumped in the back of the limos waiting outside and went on the hunt for some Olde English and some food. The story of one of the most influential records in Southern rap history doesn’t start in Miami, Houston, Memphis, New Orleans or even Atlanta. (Today’s “jooking” is a highly-evolved offshoot of that era’s gangsta walk.) “We call that ‘the bones,’” says Price. “When I heard Dragnet, I actually [started] doing the beatbox to ‘The Show.’ We got into the Jeep and Phil starts banging on the Jeep, because the Jeep was a hollow top, and that shit was just so crazy.”. “If you listen to it, that’s what it is: an episode,” says Hall of the song. Add a video, Do you know any background info about this track? 20 minutes later, the Showboys’ “Drag Rap” was done. While it’s unclear exactly how the city found the record (though it very well could have been through Spanish Fly tapes traveling downriver during Mardi Gras), once it did it never let go. “Once we heard that, that’s when we decided to crash the record with the hard kick first on the intro, hard kick on the descriptions of the two villains, and then 808 on the verse,” Hall continues. In New Orleans, the song took a separate, parallel path. Doug E. Fresh & the Get Fresh Crew had just struck gold with “The Show,” and the Showboys took note. These were songs that expanded hip-hop’s reach branch by branch, opening up new sounds and cultivating new fans, until some 45 years after it was born in the Bronx the genre is the biggest commercial and cultural force in modern music.

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